Acoustic Photography

Photography found me before I found it. Growing up in Bærum outside Oslo, I'd cycle down to Henie Onstad Art Centre and spend hours in the darkroom, watching images emerge in developer trays under the red light. My father shot on a Rolleicord. I started on a Kodak Instamatic. By 1977 I had my first SLR, and I haven't really stopped since.

Some people are formed by photographers. I was formed by photographs — album covers as much as gallery walls. The first time I saw certain record sleeves, I understood that an image could carry the entire emotional weight of the music inside. That idea has never quite left me.

I've spent most of my career as a Creative Director in advertising, working alongside some of the world's finest photographers, watching how they see, how they move, what they wait for. That proximity has been its own education. But this work is something different. This is mine.

I shoot on film and digital, in black and white and colour, across genres and geographies. I'm drawn to geometry — the way a building organises light, the way a face holds it. I travel as much as I can, and I photograph wherever I am. Singapore is home now, but Oslo is always somewhere in the frame.

What I'm reaching for, always, is a stronger artistic presence. The impulse hasn't changed since that darkroom in Bærum. Everything else is still being figured out.

Available for select assignments.